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Swieler XLR Microphone Cable 5m Balanced OFC

$19.99 AUD
$19.99 AUD
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Brand: Swieler
Ships Fast from Australia: In stock
SKU: TW-XLR5
Swieler XLR microphone cable 5m, balanced OFC audio cable with XLR connectors for professional sound equipment.
$19.99 AUD
$19.99 AUD
Swieler XLR Series

Five metres.
Lectern to rack.
Crosses the gap.

For when the input is no longer beside the performer. A lectern feeding a side-wall rack, choir mics on tall stands, a reader’s mic reaching the far side of a platform — without joining two cables together.

5 mLength
XLR3-pin M→F, balanced
OFCOxygen-free copper
SpiralFull shielding

Best for: Churches & halls · choir stands · front-of-stage runs

Swieler XLR Microphone Cable 5m Balanced OFC
5 mTW-XLR5
Balanced XLR3-pin male to female
OFC conductorsOxygen-free copper
Spiral shieldFull coverage
Metal housingsBoth connectors
Flexible PVCCoils flat, stays pliable
Stocked in AUShips from MSM AV
Length planner

Which length do you actually need?

Pick where the microphone and the input live. We’ll draw the run, add a metre of dressing slack, and show which Swieler length fits without a coil on the floor.

You need at least
3.6m of cable

Run distance plus ~1 m to dress the cable down a stand, around hardware and into a service loop at the connector.

Tap to explore

What’s inside a Swieler lead.

Every layer does a job. Tap a hotspot to see what it is and why it matters for a microphone signal measured in millivolts.

Cutaway · jacket → shield → pair → copper Connectors · 3-pin XLR, male to female

Swipe the drawing sideways to see every layer.

Why XLR stays quiet

Two wires. One signal. Noise cancels itself.

Any cable behaves like an aerial. A balanced line carries the same audio on two conductors with opposite polarity; interference lands on both equally, and the mixer input only responds to the difference — so the hum is subtracted and the voice survives.

  • Pin 2 carries the signal, pin 3 carries its mirror image. Pin 1 is the shield drain to ground.
  • The input subtracts pin 3 from pin 2. Noise that hit both wires the same way disappears. This is common-mode rejection.
  • Spiral shielding does the other half, draining higher-frequency hash to earth before it reaches the pair.
Hum at mixer
Noise in output: 0%

Illustration only. Switch Balanced off to see what the same run would deliver on an unbalanced (TS / RCA) lead.

Connectors

Metal housings. Latched, not hoped.

A 3-pin XLR female on the microphone end locks onto the mic; the male end seats into the mixer, interface, stage box or wall plate. The latch means it stays put until you press the release.

  • Passes 48 V phantom power from a mixer or interface to condenser microphones — the standard XLR mic connection.
  • Also carries balanced line level between mixers, processors and powered speakers with XLR inputs.
  • Daisy-chain when you must. Male-to-female means two Swieler leads join end to end for an unplanned extra reach.
Make it last

Coil it right. It pays out flat.

The flexible PVC jacket is chosen so the cable lies down instead of springing back into its last coil. An over-under coil keeps it that way.

STEP 01

First loop over

Hold the female end. Make a natural loop, letting the cable twist the way it wants to.

STEP 02

Second loop under

For the next loop, turn your wrist the other way so the cable crosses under. Alternate over, under, over.

STEP 03

Tie and store

Hook-and-loop tie at the connectors. The coil unrolls in a straight line with no twists — every time.

Service loop at the connectorA tug on the cable should not be a tug on the pins. Leave a small loop at each end.
Cross power at right anglesRun parallel to mains for as little distance as possible; cross it square.
Edges, not diagonalsRoute along walls or under a mat rather than straight across a floor people walk on.
Technical specifications

The details.

Cable
ModelTW-XLR5
TypeBalanced microphone cable
Length5 m
ConductorOxygen-free copper (OFC)
ShieldingFull spiral shield
JacketFlexible PVC, black
Connectors
Microphone end3-pin XLR female, metal housing, latching
Input end3-pin XLR male, metal housing
Pin-out1 ground / shield · 2 hot (+) · 3 cold (−)
Phantom powerPasses 48 V phantom
Range1, 2, 3, 5, 10, 15 and 20 m
BrandSwieler · stocked by MSM AV, Australia
Built for

Wherever a microphone meets an input.

Podcast & streaming
Home & project studios
Live stage
Churches & worship
Schools & halls
Corporate AV
Rack & install wiring
Drum close-miking
Front of house
Outdoor events
FAQ

Good questions.

Is this a balanced or unbalanced cable?

Balanced. It carries the signal on two conductors of opposite polarity under a spiral shield, terminated in 3-pin XLR male and female connectors, which is the standard for microphones and balanced line-level audio.

What’s the difference between the Swieler lengths?

Only the length. Every lead in the range uses the same OFC conductors, spiral shield, metal housings and PVC jacket — choose from 1, 2, 3, 5, 10, 15 or 20 m to match the run. The planner above shows which one fits.

Will it carry phantom power to a condenser mic?

Yes. A standard 3-pin XLR cable passes 48 V phantom power from the mixer or interface to the microphone.

Can I join two cables for a longer run?

Yes — male-to-female connectors chain end to end. For a permanent or regular run it is better to buy one continuous length so there is no joint to fail or trip on.

Can I use it to connect an amplifier to a passive speaker?

No. XLR microphone cable is for mic and line-level signals. Amplifier-to-passive-speaker runs need speaker cable rated for the power.

Does a long run pick up hum?

Far less than an unbalanced lead would. The balanced pair cancels interference that lands on both conductors, and the spiral shield drains the rest. Keep parallel runs beside mains cable short and cross power leads at right angles.

The Swieler XLR range

Seven lengths. One build.

Stocked in AustraliaFast local dispatch

12-month warrantyBacked by MSM AV

Local supportMill Park, VIC · 03 9436 9000

Secure paymentAll major cards & wallets

Swieler XLR Microphone Cable 5m

Five metres is what you need once the input is no longer beside the performer. A vocalist standing downstage, a mixer tucked into the wing, and suddenly three metres finishes a body-length short. This is the length that crosses that gap without asking you to join two cables together.

Houses of worship and community halls work through these constantly. A lectern microphone at the front of a room feeding a rack against the side wall. A pair of choir microphones on tall stands with their bases set well back from the input panel. A reader's microphone that has to reach a wall plate on the opposite side of a platform. In each case the height of the stand consumes a metre or more before the cable even begins travelling horizontally, which is why the jump from three to five happens so often.

It is also the natural length for feeding a snake that is close but not adjacent. Stage boxes get placed where they suit the multicore, not where they suit the microphones, so a bit of extra reach lets one box serve a cluster of positions instead of being repositioned for every input.

Balanced construction starts to earn its keep with every metre added. This cable runs a balanced pair of oxygen-free copper conductors under full spiral shielding, terminated in 3-pin XLR male and female connectors with metal housings, and jacketed in flexible black PVC that takes repeated coiling at pack-down.

Key features

  • Balanced 3-pin XLR, male to female
  • Oxygen-free copper (OFC) conductors
  • Full spiral shielding
  • Metal connector housings
  • Flexible PVC jacket, black
  • 5 metres — front-of-stage, lectern and choir microphone reach

Technical specifications

Model No TW-XLR5
Type Balanced microphone cable
Connectors 3-pin XLR male to 3-pin XLR female
Length 5 m
Conductor Oxygen-free copper (OFC)
Shielding Spiral shield
Jacket Flexible PVC
Colour Black

Available from MSM AV's Australian stock.

Frequently Asked Questions

What's the difference between this and the other Swieler XLR cable lengths?

Same balanced OFC (oxygen-free copper) construction and connectors — just choose the length that matches your run, from 1m up to 20m. This is the 5m length.

Is this a balanced or unbalanced cable?

Balanced, with male-to-female XLR connectors, suitable for microphones and balanced line-level audio equipment.