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Swieler XLR Microphone Cable 2m Balanced OFC

$13.99 AUD
$13.99 AUD
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Brand: Swieler
Ships Fast from Australia: In stock
SKU: TW-XLR2
Swieler XLR microphone cable, 2 meters, balanced OFC copper, ideal for professional audio connections and studio setup.
$13.99 AUD
$13.99 AUD
Swieler XLR Series

Two metres.
Boom arm to desk.
Room to swing.

The desktop length. From a microphone on a boom arm, over the back of the desk and down to the interface — with enough give that pulling the arm towards you never tugs the connector.

2 mLength
XLR3-pin M→F, balanced
OFCOxygen-free copper
SpiralFull shielding

Best for: Podcast & streaming desks · close-mic drums · keyboard DI

Swieler XLR Microphone Cable 2m Balanced OFC
2 mTW-XLR2
Balanced XLR3-pin male to female
OFC conductorsOxygen-free copper
Spiral shieldFull coverage
Metal housingsBoth connectors
Flexible PVCCoils flat, stays pliable
Stocked in AUShips from MSM AV
Length planner

Which length do you actually need?

Pick where the microphone and the input live. We’ll draw the run, add a metre of dressing slack, and show which Swieler length fits without a coil on the floor.

You need at least
3.6m of cable

Run distance plus ~1 m to dress the cable down a stand, around hardware and into a service loop at the connector.

Tap to explore

What’s inside a Swieler lead.

Every layer does a job. Tap a hotspot to see what it is and why it matters for a microphone signal measured in millivolts.

Cutaway · jacket → shield → pair → copper Connectors · 3-pin XLR, male to female

Swipe the drawing sideways to see every layer.

Why XLR stays quiet

Two wires. One signal. Noise cancels itself.

Any cable behaves like an aerial. A balanced line carries the same audio on two conductors with opposite polarity; interference lands on both equally, and the mixer input only responds to the difference — so the hum is subtracted and the voice survives.

  • Pin 2 carries the signal, pin 3 carries its mirror image. Pin 1 is the shield drain to ground.
  • The input subtracts pin 3 from pin 2. Noise that hit both wires the same way disappears. This is common-mode rejection.
  • Spiral shielding does the other half, draining higher-frequency hash to earth before it reaches the pair.
Hum at mixer
Noise in output: 0%

Illustration only. Switch Balanced off to see what the same run would deliver on an unbalanced (TS / RCA) lead.

Connectors

Metal housings. Latched, not hoped.

A 3-pin XLR female on the microphone end locks onto the mic; the male end seats into the mixer, interface, stage box or wall plate. The latch means it stays put until you press the release.

  • Passes 48 V phantom power from a mixer or interface to condenser microphones — the standard XLR mic connection.
  • Also carries balanced line level between mixers, processors and powered speakers with XLR inputs.
  • Daisy-chain when you must. Male-to-female means two Swieler leads join end to end for an unplanned extra reach.
Make it last

Coil it right. It pays out flat.

The flexible PVC jacket is chosen so the cable lies down instead of springing back into its last coil. An over-under coil keeps it that way.

STEP 01

First loop over

Hold the female end. Make a natural loop, letting the cable twist the way it wants to.

STEP 02

Second loop under

For the next loop, turn your wrist the other way so the cable crosses under. Alternate over, under, over.

STEP 03

Tie and store

Hook-and-loop tie at the connectors. The coil unrolls in a straight line with no twists — every time.

Service loop at the connectorA tug on the cable should not be a tug on the pins. Leave a small loop at each end.
Cross power at right anglesRun parallel to mains for as little distance as possible; cross it square.
Edges, not diagonalsRoute along walls or under a mat rather than straight across a floor people walk on.
Technical specifications

The details.

Cable
ModelTW-XLR2
TypeBalanced microphone cable
Length2 m
ConductorOxygen-free copper (OFC)
ShieldingFull spiral shield
JacketFlexible PVC, black
Connectors
Microphone end3-pin XLR female, metal housing, latching
Input end3-pin XLR male, metal housing
Pin-out1 ground / shield · 2 hot (+) · 3 cold (−)
Phantom powerPasses 48 V phantom
Range1, 2, 3, 5, 10, 15 and 20 m
BrandSwieler · stocked by MSM AV, Australia
Built for

Wherever a microphone meets an input.

Podcast & streaming
Home & project studios
Live stage
Churches & worship
Schools & halls
Corporate AV
Rack & install wiring
Drum close-miking
Front of house
Outdoor events
FAQ

Good questions.

Is this a balanced or unbalanced cable?

Balanced. It carries the signal on two conductors of opposite polarity under a spiral shield, terminated in 3-pin XLR male and female connectors, which is the standard for microphones and balanced line-level audio.

What’s the difference between the Swieler lengths?

Only the length. Every lead in the range uses the same OFC conductors, spiral shield, metal housings and PVC jacket — choose from 1, 2, 3, 5, 10, 15 or 20 m to match the run. The planner above shows which one fits.

Will it carry phantom power to a condenser mic?

Yes. A standard 3-pin XLR cable passes 48 V phantom power from the mixer or interface to the microphone.

Can I join two cables for a longer run?

Yes — male-to-female connectors chain end to end. For a permanent or regular run it is better to buy one continuous length so there is no joint to fail or trip on.

Can I use it to connect an amplifier to a passive speaker?

No. XLR microphone cable is for mic and line-level signals. Amplifier-to-passive-speaker runs need speaker cable rated for the power.

Does a long run pick up hum?

Far less than an unbalanced lead would. The balanced pair cancels interference that lands on both conductors, and the spiral shield drains the rest. Keep parallel runs beside mains cable short and cross power leads at right angles.

The Swieler XLR range

Seven lengths. One build.

Stocked in AustraliaFast local dispatch

12-month warrantyBacked by MSM AV

Local supportMill Park, VIC · 03 9436 9000

Secure paymentAll major cards & wallets

Swieler XLR Microphone Cable 2m

Two metres is the desktop length. It reaches from a microphone on a boom arm, over the back of a desk, down to an interface sitting on the floor or on a shelf below — with enough give that swinging the arm towards you does not tug at the connector. Podcasters and streamers tend to settle here after trying one metre and finding it stops just short.

It also suits the second row of jobs where source and input are close but not touching. A keyboard's DI output to a mixer on a stand beside the player. A talkback microphone to a rack a step away. Close-mic drum work where the sub-snake or stage box has been placed right beside the kit, so the kick, snare and tom microphones only need to travel a metre or so of real distance plus a little routing around hardware.

That last case is worth dwelling on. Drum microphones live in a crowded space, and cable that is too long gets wrapped around stands, caught in a hi-hat clutch or pulled when the throne moves. Two metres gives you enough slack to dress the cable along a stand leg and tie it off, without a surplus loop hanging in the path of a stick.

Every Swieler XLR lead is built to the same recipe: a balanced pair of oxygen-free copper conductors under full spiral shielding, terminated in 3-pin XLR male and female connectors with metal housings, and jacketed in flexible black PVC that stays pliable rather than taking a permanent memory of the last coil.

Key features

  • Balanced 3-pin XLR, male to female
  • Oxygen-free copper (OFC) conductors
  • Full spiral shielding
  • Metal connector housings
  • Flexible PVC jacket, black
  • 2 metres — the practical desktop and close-mic length

Technical specifications

Model No TW-XLR2
Type Balanced microphone cable
Connectors 3-pin XLR male to 3-pin XLR female
Length 2 m
Conductor Oxygen-free copper (OFC)
Shielding Spiral shield
Jacket Flexible PVC
Colour Black

Held in stock in Australia by MSM AV.

Frequently Asked Questions

What's the difference between this and the other Swieler XLR cable lengths?

Same balanced OFC (oxygen-free copper) construction and connectors — just choose the length that matches your run, from 1m up to 20m. This is the 2m length.

Is this a balanced or unbalanced cable?

Balanced, with male-to-female XLR connectors, suitable for microphones and balanced line-level audio equipment.